Critical Analysis of Karamazov brothers

A masterpiece and a handbook of philosophical and spiritual ideals, THE KARAMAZOV BROTHERS is an intriguing piece of work by the legend Fyodor Dostoevsky. I have very few words at my disposal for describing this masterpiece and its widespread arrays of ideas describing humanity and modern philosophy.  Nonetheless, it could be described as an epic which delves deep into the human psyche and subconscious and manifested a spectrum of duality and conflict of ideas in human character.
The Brothers Karamazov is a passionate philosophical novel set in 19th century Russia, that enters deeply into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, and reason, set against a modernizing Russia, with a plot which revolves around the subject of patricide. It epitomizes the struggle between sensuality, rationality, and spirituality with its three main characters to which each and every human being could relate their ideas and their inner conflict.in the fast-changing landscape of modern Russia, this work of Dostoevsky symbolize the basic human thoughts and his struggle in the spiritual realm.
The greatest thing is despite being written in 1880, this novel like some prophetical work peeps directly into the future of the twenty-first century and further of this troubling world. It creates the basic foundation of humanities final fate. It prophesized the establishment of the kingdom of heaven on this very earth and return of messiah for the sake of universal brotherhood. Unlike tragedy king, Shakespeare Fyodor Dostoevsky put a distinct line between individualism and universalism. The Nihilism coined by Fredrick Nietzsche by declaring God is dead has been a central debate in this novel. A philosophy which had been discarded in this novel.
I am going to briefly analyze the various sociological and physiological aspects of this masterpiece, which profoundly affects the human society and thinking. I have no wits and no words to scrutinize this epic from head to toe.

Fyodor Dostoevsky personifies the three protagonists in terms of three distinct features of human nature and subconscious.

Ø Dmitri the sensualist

Ø Ivan the rationalist

Ø Alyosha the spiritualist

Three sons of Fyodor Karamazov who ardently represents the primal human instinct and their father who inevitability falls victim to one of them represents the buffoonery of humanity. It’s a fundamental fact that all human beings comprise of these three instincts more or less. We all are somewhat sensualist, rationalist and spiritualist varying with concentration. The author’s brilliant allegory of all human nature their subconscious and deep analysis of human psyche manifested this epic. He drove the inner conflict of modern people outside and turned it into a serious debate of existence of God, true love and also general perception of society on a crime. Some statements of author delivered by its characters contained flamboyant examples of author’s deep understanding of modern society and its heightened sensualistic traits. These statements manifested the future vision of author which continued to prove themselves still in this generation.
His absolute understanding of universal love and brotherhood widens the premises of true love. The epic cemented the perception of true love, spiritualism and rational philosophy with wholesomeness. It tells us that love is not something which has its roots either in some primal animalistic instinct or not in some misplaced pride or envy. It is the most sacred thing in this universe and only weapon for mankind’s salvation, which practically bloom from the bud of selfless sacrifice. It’s this love which makes you responsible for deeds of each and every human being and when all of the humanity realize this fact then only universal brotherhood can be established. The universal brotherhood will help to establish the kingdom of heaven on this very earth.in a serious note, the novel also discussed the pseudo-spiritualism of contemporary religion and blind faith of multitudes regarding miracle and all mighty.
Love is the central edifice of this epic amid the chaos and confusion of free will, rational thinking scientific reasoning, and communism. Dostoevsky decorated his final masterpiece with many dialogues phrasing the importance of love.
One such important statement made by elder Zosima scribbled by our hero Alyosha:
  “All things are atoned for
               All things are forgivable in true love”

Mankind can’t even do such sins so that to exhaust the infinite love of God.
Although it encompasses philosophical, spiritual quandaries and the questions of conscience and physiological analysis of human mind, it did not stop there and further engulfed radical analysis of LAW, justice and dissect the criminal minds with sheer reality. Before any of the Hollywood courtroom dramas and TO KILL A MOCKINGBIRD, this novel exhibited a trial with each of its distinctive features, defense and prosecutions monologues and the trickery of physiological analysis on the precipice of justice. Here the trial of patricide was manifested in terms general society and their reaction to it and reflected allegorical aspects of Russian society and their moral authority.
Above all it was the work of a literary saint or I should say the patron saint of modern literature that unlike Shakespeare did not cloud his judgment with tragedy but delivered a strong directive statement on morality, free will, and love. He was subtle enough for a genius to read for intellect in same time obvious enough for a peasant to understand. It’s a novel for masses not for few luxurious readers. The author told us all by Alyosha the main protagonist how it is important for all of us to teach our children the moral and ethical values, the elegance of universal love and brotherhood. How the future generation should be empowered and educated not only with rational thinking and scientific reasoning but with spiritual aspects of this universe. As the author declared

“Take care of peasant and guard his heart.
Go on educating him quietly that’s your duty as monks,
For the peasant has god in his heart.”

Comments

Post a Comment